Reggae Blog

2004-09-25T03:53:00.000-05:00

It has been a while since I last posted something on my blog. I know, it seems to become a habit but the summer is just flying by. I spend most of my time in Spain learning the language and having a great time. Everybody that has been here before might understand why I don’t have the time to write. Well, but for one weekend I was home in Germany to go to the Sumerjam and that is worth a post. It has been almost three months now as well, but I can still remember it as if it was just last week...

Unfortunately both Ziggy Marley and Horace Andy cancelled their gigs. Lee Perry without doubt was a more than adequate replacement for Ziggy but they failed to get someone to fill Horace Andy’s shoes. Where was Big Youth???? Here is an overview of the program:

Friday Red Stage – Michael Franti, Max Herre, Lee ‘Scratch Perry’, etc

Green Stage – La Vela Puerca, Julian Marley, Culture, etc

Yellow Tent – Turtlebay Country Club

Saturday Red Stage – Sam Ragga band, Sanchez, Capleton, Bounty Killer (?)

Green Stage – Orchestra Baobab, Skatalites, Abyssinians, Lucky Dube

Yellow Tent – Roots Rockers, David Rodigan

Sunday Red Stage – Rico Rodriguez, Beenie Man, Luciano

Green Stage – Steel Pulse, Tryo, Ken Boothe w Soulfood International

Yellow Tent – Solar Moon Soundsystem

Nevertheless the 19^th Summerjam was another great experience, I hope for everybody involved. But let’s start at the beginning. We arrived in Fuehlingen on Thursday afternoon at about 2 and we managed to get a decent place to put up our tent. At the beginning there was only three of us, my friends Cat and Marc came with. More people arrived early Friday morning and at some point during the day on Saturday. The weather was sub-optimal but at least it did not rain too much and our tent stayed dry during the whole weekend. The only exciting thing that happened Thursday night was that Greece beat the Czech Republic in the semis of the Euro-cup. Of course we did not have a TV with us but our neighbors were following the game on the radio.

First Day:

Friday’s program got shuffled through a bid because Steel Pulse got stuck at the French border (A border between France and Germany, what ever happened to Schengen? But that’s what we were told.) But we got lucky and saw all the important acts anyway. After seeing La Puela Vuelta play a little on the green stage Culture appeared all of a sudden completely unexpected at around 5. They were great. They had to make room for Steel Pulse who were rescheduled to play as the headliner on the Green Stage because of their delay. After a little over an hour of Culture we decided to check out Michael Franti for a while on the Red Stage and that proved to be a good idea. There weren’t many people in front of the stage but Franti put on a great show with lots of positive energy and after all was said and done he simply jumped of the stage into the crowed and basically gave everybody a hug who stopped by to listen to him. He has so much positive energy, a real example of positive summerjam spirit. After Michael was done it was straight back to the Green Stage for Julian Marley. Out of all Marley Brothers he resembles his dad the most in looks, voice and stage appearance. I like his music, but of course he’s best residing his dad’s work. And that he did. And how! And for the final it was back to the Red Stage were Lee ‘Scratch’ Perry headlined that night. He came on stage with one of his usual self-made costumes and played a lot of new stuff and a couple of old Dub favorites. The band that played with him was pretty good and I enjoyed the show a lot, however, it was a little sad that he did not play more of his 70’s stuff. But it is always an experience to see him live, and the last two times I went to see him in Germany he cancelled on the day of the show.

After Perry, Friday night came to an early end for us. It was important to conserve some energy for the two days to come.

Second Day:

Saturday started with cooking, and we were just about done with that when it started to rain. So we stayed in our tent a little longer before heading over to the island. The first band we saw that day was the Sam Ragga Band who played with Black Kappa from the first Seeed LP. That was nice but not too special either and I wanted to see the Orchestra Baobab on the Green Stage. And they were well worth to check out. A great mi of Caribbean sounds, african drums and a great JAzz guitarist. And all of it played with an amazingly cool attitude. And then came the Skatalites!!! The Legends! Obviously one of the highlights of the Jam 04. Since I don’t remember exactly which songs were played and in what order, the story of the concert is told quickly. “10 – 9 - 8 - 7 – 6 – 5 – 4 – 3 - 2 – 1 – Freedom.” And then the usual Llyod Brevett announcement “Jah Jah Jah Jah, Rastafari! This next one we gonna play for you we played in the 60’s we call …” with only slight alterations. A nice surprise was that Doreen Shafer was there as well to sing a couple of songs. All in all I don’t like her songs as much as the instrumentals the Skatalites play but it stirred up nice memories from past shows. Another nice surprise was that Vin Gordon came along and played trombone for them. Last two times I saw them with Cedric IM Brooks on tenor, which was fantastic as well. Unfortunately he was not there this time. After a great show on a packed Green Stage the audience was singing their last song for a good three minutes but the organizers were merciless. Understandable, but also a little sad. I would have loved to see them play another song or two. And as so often, one highlight followed the next and after the Skatalites, the Abyssinians played on the Green Stage backed by the Rasites. This was the act I was looking forward to most because I had only seen the once, and now in retrospect it was also my favorite show of the whole Summerjam. The best ‘Roots’ Sound of them all. Of course they played all of their big hits, Know Jah Today, Declaration of Rights (my personal favorite) and the all time roots hymn Satta Massa Ganna. After that we strolled around for a while, checked out Rodigan, but in the end I was too tired and went back to the tents at around 2.

Day 3:

Sundays, always hard because you start to get exhausted and tired of camping, especially when the weather is not great. But of course the program was going to be great. Motivation not a problem. As usual, the green stage was the place to be. However, we got really lucky skipping over to the Main Stage for a second when all of a sudden Rico Rodriguez played there about 90minutes earlier than expected. Didn’t miss a minute. What a show! It seems like he played almost all of the Wareika album plus a couple of other hits. We missed some of the Tryo show for it unfortunately, but it was well worth it.

Going back to Tryo, my friend Cat, who is just the biggest fan imaginable, saw some of the band members hanging out right next to us while the band before them was playing. I tried to get her to say hello, but she did not want to. Needless to say she’s been depressed ever since because of the missed opportunity. Tryo were awesome. There music is great, but what really makes them stand out is the complex stage show with all sort of acting, audience members on stage an other little skits. But right after Tryo came another top highlight of the Jam, Ken Boothe backed by Soulfood International formerly Court Jesters Crew outta TUEBINGEN, ja mon! absolute fantastic show. I don’t have to say much about Ken Boothe’s vocal qualities and Soulfood proved again that the best European Reggae sound is created in South West Germany!!!!!

Steel Pulse were last on the Green Stage, but we did not see all of the show. Of course the EuroCup final was going on with Greece pulling of the huge upset against Portugal. We had some more tea and headed home relatively early. It had been a long weekend. And I can’t wait for next year’s Jam to begin….

2004-05-05T21:56:00.000-05:00

Bad news everybody, Clement "Coxsone" Dodd, the founder of the legendary Studio One has died in Jamaica.

This came only days after the famous Brentford Road in Kingston was renamed Studio One Boulevard in his honor. Here is a link to the story by the Jamaican Observer. I will of course follow up on this in tribute to Coxsone Dodd and his work, but after school is done.

2004-04-19T19:57:00.000-05:00

Here’s a little CD I picked up lately: Sufferer by the Kingstonians. The songs on this album were recorded for Derrick Harriott between 1968 and 1970. Tracks are as follows:

1. Your Love
2. Singer Man
3. Sufferer
4. Hold Down
5. I'll Be Around
6. Winey Winey (Reggae)
7. The Clip
8. Rumble Rumble
9. Come We Go Moonwalk
10. Complicated Scene
11. Easy Ride Reggae
12. Nice Nice

The whole album is really strong, especially the first four songs. The title track just absolutely blows my mind! This is an awesome example of the transition period from Rocksteady to Reggae. The songs clearly have a Reggae beat (mostly), but the harmonies and instrumentation still remind of the earlier Rocksteady recordings.
The only information I found about the band online is as follows:

Founded by lead singer Jackie Bernard, The Kingstonians started out in the 60s recording for producer JJ Johnson. Between 1968 and 1970 they recorded under the supervision of producer Derrick Harriott their best sides like "Singer Man", "Sufferer" and "Winey Winey". After some less successful sides for Leslie Kong and Rupie Edwards the group broke up.

I am also unable to find any other recordings by the group, even though the short biography from reggaecd.com indicates that they recorded more than the material for Harriott. Hell, even my beloved book by Lloyd Bradley let’s me down on this one, the only thing that he mentions about them except that these recordings were there peak is that the fellow artists that Derrick Harriott produced at this time included Toots and the Maytals, the Melodians, Desmond Dekker and the Pioneers.

This is really a shame considering the quality of this album. Of course there are numerous examples of this in reggae history but it always hurts. I am going to be sad now…

2004-04-13T20:55:00.000-05:00

I just keep on going. Third post tonight, I have to get it out though, but who will ever read it all? This one will be short. I just put on a Studio One album by Cedric 'Im' Brooks called Im Flash Forward after being done with the Yabby You/Trinity songs. This material has been recorded in the early to mid 70s, and it uses rhythm tracks from that period. Tracks are:
1. Glory To Sound
2. Give Rasta Glory
3. Father Forgive
4. Walking Through
5. Free Man
6. Right Time
7. Smiley
8. Why Can't I
9. Idle Berg
10. Picture On The Wall

The album is pretty nice throughout, even though it's not his best stuff. However, Father Forgive, played on the rhythm of Declaration of Rights by the Abyssinians is absolutely amazing and Idle Berg, a version of Horace Andy's Skylarking is really good as well. And the funny coincidence is that all three will be at the Summerjam this July, Cedric as a tenor-sax player for the Skatalites. Which of course means you will find reviews about their stuff further down. It all goes in cycles...

2004-04-13T19:45:00.000-05:00

Well, I just have to. It has really been more than a month since my last post? Wow time flies by. I have been away for break in between, too, but still. I did read a very good book on the history of Jamaican music over break. It’s written by Lloyd Bradley and is called This is Reggae Music – the Story of Jamaica’s Music. 500+ pages full of anecdotes from artists and producers he interviewed together with his own views and comments spanning from the mid-50s Soundsytem scene in Kingston to the creation of the Jamaican music industry at the turn of the century all the way to the creation of modern Dancehall after the digital invasion. For any big Reggae fan interested in the background of the music, cultural, political and economical, this is a great read!

Contour has published a preliminary line-up for the Summerjam, and boy there have been some nice additions again. Tryo are coming over from France. Some of my friends back home are especially excited about this. They are a crazy Roots acoustic band with an amazing stage show and some really nice songs. Can’t wait to see them. Rico Rodriguez will be there, original trombone player, got his greates fame during the Two Tone era recording with the Specials. Him and the Skatalites at the same weekend, fantastic. All the legendary instrumentalists from the 60s that are still alive will be at the Jam this summer! Some cool German Reggae with the Sam Ragga Band and Turtle Bay Country Club. Dub Syndicate, and also Ken Boothe. Some Dub, some more Roots. I have never seen Ken Boothe before, so I am really excited about this opportunity as well. So be there if you can!!!!!

So here is the record I want to introduce today: Yabby You meets Trinity at King Tubby’s Dub Station. First, the track list:

Yabby You Meets Trinity At Dub Station

Di Gun Gun Fever - Trinity
My Neighbour - Yabby You & Trinity
I Know Where I'm Going - Trinity
Natty Bongo - Yabby You & Trinity
Warm Dem - Yabby You & Trinity
I Just A Dread - Yabby You & Trinity
Stand Up And Fight - Yabby You
Black Starliner - Yabby You

This record combines some exceptional, albeit often overlooked talent. Yabby You, aka Vivian Jackson, is a great producer/singer from the Roots era. Yabby acquired his nickname from the drawn-out, chanting refrain on his 1972 debut single, "Conquering Lion": "Be You, Yabby Yabby You". As leader of the Prophets (additional personnel at various times included Alric Forbes, Dada Smith, Bobby Melody and the Ralph Brothers), Yabby recorded a remarkable series of roots reggae classics, including "Jah Vengeance", "Run Come Rally", "Love Thy Neighbours", "Valley Of Jehosaphat", "Judgement On The Land", "Fire In Kingston", "Chant Down Babylon' and many others, mostly appearing on his own Vivian Jackson and Prophets labels in Jamaica. Jackson also gained a reputation as a producer of other artists, including DJs Trinity, Jah Stitch, Dillinger, Prince Pompado, Tapper Zukie and Clint Eastwood, and singers Wayne Wade, Junior Brown, Willie Williams, Patrick Andy, Tony Tuff and Michael Prophet. Said Trinity is actually one of my favorite DJ’s, I really like his harsh, scratchy voice, which is perfect for this kind of music. The most notable album he recorded, in my humble opinion, is the 1977 Soundclash with fellow DJ Dillinger. His biggest hit was the Joe Gibbs produced Three Piece Suit, on the same rhythm that was used for Uptown Top Ranking by Althea And Donna. Finally, King Tubby, well if you like Reggae you have heard his name before. He was one of the innovators of Dub music in the early 70s and his talent at the controls and feel for the Dub music, together with his exceptional knowledge about the actual hard ware, made him truly Mr. Dub. He built his own studio and helped many others, including Lee Perry’s famous Black Ark. He was the mixer of choice for producers like Lee Perry, Augustus Pablo and Bunny Lee as his customers in the mid to late 70s. Bunny Lee once said of him “He could mix music outta the mistakes people bring him – like every spoil is a style to King Tubby. […] He do it all live, too. He don’t built it up bit by bit, him jus’ leggo the tapes and do his thing.” Where ‘his thing’ means the multi track mixing in perfection unchallenged in music history I guess. Especially considering the kind of resources he had to work with. I got the quote from Lloyd Bradley’s book by the way…

Here is the history how Tubby discovered Dub and some more of his live (I admit, it’s stolen. Go to the Iceberg to check out cool biographies):

King Tubby grew up around High Holborn Street in Central Kingston before moving to the capital's Waterhouse district in 1955. He started repairing radios and by the late 50s had begun to experiment with sound system amplifiers. By 1964 he was operating his own Tubby's Home Town Hi-Fi, where he later incorporated a custom reverb and echo facility into his system. At the same time he was working as disc-cutter for Duke Reid and it was here that he discovered that he could make special versions of well-known rocksteady tunes. By cutting out most of the vocal track, fading it in at suitable points, reducing the mix down to the bass only, and dropping other instrumental tracks in or out, Tubby invented dub. Initially the technique was used for "specials" or dub plates - custom acetates made exclusively for sound system use. The spaces left in the mix allowed sound system DJs to stretch out lyrically, predating the emergence of US rappers by some years. Record producers soon began to see the potential of these versions. Joe Gibbs' engineer, Errol Thompson, working at Randy's Studio 17, had started employing rhythm versions as b-sides by 1971. To keep ahead of the competition, Tubby acquired an old four-track mixing console from Dynamic Studios. He then introduced further refinements - delay echo, slide faders, and phasing. By late 1971 he was working with producers such as Bunny Lee, Lee Perry, Glen Brown, Augustus Pablo and "Prince" Tony Robinson. The latter issued records that credited Tubby as mixer, including "Tubby's In Full Swing", the b-side to a DJ track by Winston Scotland.

Throughout the 70s Tubby mixed dubs for all the aforementioned producers, in addition to Roy Cousins, Yabby You, Winston Riley, Carlton Patterson and Bertram Brown's Freedom Sounds. His most important work, in terms of sheer quantity, was with Bunny Lee. Lee used Tubby for dub and voicing on rhythms he had built elsewhere with the Aggrovators session band. All the singers who worked with Lee at this time - Johnny Clarke, Cornell Campbell, Linval Thompson, Jackie Edwards, Derrick Morgan, Delroy Wilson, Horace Andy, John Holt and Owen Grey - made records with Aggrovators rhythms, voiced and mixed at King Tubby's. Lee began to issue dub albums featuring Tubby's mixes, and other producers soon followed that lead. Tubby's name as mixer soon appeared on well over 100 albums. A generation of engineers trained under Tubby's supervision, including King Jammy and "Prince" Phillip Smart, both subsequently finding success on their own terms.

Highly recommended songs from the album are:
My neighbor
Natty bongo
Warn them

Well, in the end they are all great! This is reggae at its finest.

2004-04-13T19:41:00.000-05:00

It’s about time! Longtime now since I have written anything, and I even got emails asking me whether I stopped! People are reading me! Welcome! Thank You!

The story is that school is just too much for me right now. But today I decided I deserved at least a little break in the evening so I could finally catch up with my darling little blog. But three weeks from now things will be better. And I am going back home to Germany in just a little over a month!

New link: check out the Irie Lion Reggae site, they are a concert, festival organizer from the Belgium and the Netherlands with concert listings (if you are ever looking to see some Reggae in those countries, you will find something here), info around Reggae music and an Irie Name Finder: type in your name and the Rasta elders will give you an irie reggae name! Ideal for uncreative people like me, when they are in the situation that they want to spin some music in a local bar and can’t think of a decent DJ name. I became Mighty Satta and have to say that I am very satisfied. I have to be extremely thankful to those guys, because they actually approached me and asked to exchange links! How the hell did they find me? Cheers Tal, and thanks for reading my site!

Should I write a review? Should I?

2004-03-11T01:36:00.000-05:00

So I just came back from the Ziggy Marley Show. Do I have to say it was awesome? I thought not. His little brother Julian was opening for him and he was great also. Julian will also be performing at the Summerjam this year, so better watch out Germany! It will be a blast…

But let’s start from the beginning: a couple of friends stopped by my place at about 7 and we hung out for a while getting ready for the show. On the short drive to the Barrymore Theatre we were listening to a band called the Sidesteppers, very interesting music. As soon as I get a copy of the album I will have to write a little review. Well, getting there was easy, getting parking not quite so easy. Nevertheless, we made it inside just in time before Julian took the stage. The place was packed! I had been at the venue a couple of times before but I have never seen it this full. And that on a Wednesday night. There was nowhere to go on the first floor so we headed up to the balcony. I usually don’t like sitting that far from the stage but the sound was great up there and we could see really well.

I have to say, I really liked Julian a lot. The band sounded really tight, especially the drummer. And he has all the moves of his dad and sounds a lot like him as well. I guess all of his recording sons do, but seeing him from up there… a very good imitation to say the least. I tried to remember the songs they played, but as I was reasonably sedated there was no way I could keep up with that. He did start of with Running Away, followed by a couple of his own songs that I liked a lot. Then he got rid of his guitar for two songs, and the niiveau of the music dropped considerably. The same proved to be true later on with Ziggy as well. However, soon enough his guitar was back in business and the music got a little funkier again. Very nice version of Stir it up in the middle of the set. Unfortunately after just under an hour of music and a great version of Exodus, Julian left the stage and we were facing a little break. This had the positive side effect that the crowd moved out into the lobby, so we could proceed to snatch away some nice seats just behind the soundboard. I still find it weird to have old cinemas or theatres as venues with the seating still in place. I have never seen something like this in Europe but over here it’s very common, at least in Madison and Chicago.

After maybe 20 minutes, Ziggy took the stage. People were happy, I was happy. Ziggy has a great stage presence, very charismatic. A lot like his dad, at least from what I can tell from the videos I have seen (Why was I born so late???) The only other time I saw Ziggy Marley was at the Summerjam a couple of summers ago. I love it when he sings Bob’s songs, but most of his own stuff I can not really get into. Don’t get me wrong, it’s nice music, but it just does not blow me away. There was one song that was really good though, I was trying to remember what it was called, but… Anyways it was the song were Ziggy introduced the band, maybe somebody knows the name of the song? His band featured a Japanese guitar player that was KICK ASS! He played some awesome solos. Other highlights of his set, again from my Bob bias, were War / No more trouble, Concrete Jungle and as a final encore together with Julian a nice and long version of Jamming. This band was also really rocking and there were a lot of instances were they were just jamming away for a little while.

For more information on the Marley kids check out the Melodymakers website. I will post this review there as well. I was going to try and get a set-list and or recording of the show for the webmaster of said site, who I talked to in the Summerjam Forum, but I failed. Sorry Julian!

Peace,
Felix

2004-03-08T23:36:00.000-05:00

Other good news from arround the world: Horace Andy is coming to the Summerjam!!!!!!

As with so many reggae artists, Studio One helped Horace Andy to make himself a name as a singer with several singles and records he cut for Studio One producer Clement Dodd (who also gave him his stage name), notably such songs as "Skylarking"(which is listed on position 15 in a chart compiled from the weekly JBC charts of 1972), "See A Man's Face" and "Every Tongue Shall Tell". Another Studio One classic is "Mr.Bassie", his respect to bassist and member of The Heptones, Leroy Sibbles.
Very soon many of the leading producers wanted to make records with Sleepy, as Horace Andy is also known. He then recorded - among others - for Phil Pratt again ("Money is the Root of all Evil", "Tag Along" and "Let The Teardrops Fall"), for Derrick Harriot ("Lonely Woman") and extensively for Bunny Lee ("You are my Angel").
In 1977 Horace Andy teamed up with New York based producer Everton DaSilva and from this collaboration comes the outstanding set "In the Light", which was produced together by Andy and DaSilva. Tragically this partnership, which also gave birth to a bunch of singles and 12", came to a sudden end when Everton DaSilva was murdered in 1979.
During the Eighties Horace Andy continued releasing music on a regular basis both in Jamaica(among others for Jammy, Sly & Robbie and Bobby Digital) and in the USA on his own Rhythm imprint and for 'indie'-label Rough Trade. A highlight of this period is the album "Dance Hall Style", one of two records Horace did with producer Lloyd 'Bullwackie' Barnes.
In 1990 he was approached by Bristol-based hitmakers Massive Attack to join them for recordings. Since then he contributed vocals to all of Massive Attack's records and they even reworked some of his earlier tunes. Other work of the 90s are two sets produced by Mad Professor and various singles with drum & bass partnership Mafia & Fluxy in Kingston, JAM.

Here is some information for a couple of the albums I own:

Skylarking(1972, Studio One)
1.Where Do The Children Play 2.Just Say Who 3.Love Of A Woman 4.Skylarking 5.Mammie Blue 6.Please Don't Go 7.Every Tongue Shall Tell 8.Something's On My Mind 9.See A Man's Face 10.Don't Cry 11.I'll Be Gone 12.Got To Be Sure
This review on the album is taken from the book The Rough Guide To Reggae, which is written by Steve Barrow and Peter Dalton:
The best of Horace Andy's material at Brentford Road is collected here. He has recorded several of the songs more than once - including "Every Tongue Shall Tell", "Just Say Who", "See A Man's Face", "Something's On My Mind" and "I'll Be Gone" - and it is a tribute to his interpretative powers that in most cases all the versions are essential. Few Jamaican singers have possessed such an original style, or been as influential, and though he might have matched the music here with later recordings, he never superseded its heartfelt qualities.

In the Light(1977, Hungry Town, reissue 1995, Blood & Fire)
1.Do You Love My Music 2.Hey There Woman 3.Government Land 4.Leave Rasta 5.Fever 6.In The Light 7.Problems 8.If I 9.Collie Herb 10.Rome
The album received an "Essential"-rating in the Rough Guide To Reggae. This review on the album is taken from the book The Rough Guide To Reggae, which is written by Steve Barrow and Peter Dalton:
Complementary vocal and dub sets originally released on Everton DaSilva's Hungry town label, and much-sought-after by collectors before being brought together for this handy double LP/single CD. Even a recut of "Fever" stands comparison with the original, while the title track, "Problems"(not the lyrics he recorded for Santic) and "Government Land" are simply awesome. Prince Jammy's deconstruction of the vocal set confirms the heavyweight nature of the original rhythm tracks, as well as bringing out some even 'dreader' textures.

In the Light Dub(1995, Blood & Fire)
1.Music Dub 2.Dub There 3.Government Dub 4.Rasta Dub 5.Fever Dub 6.Dub The Light 7.Problems Dub 8.I & I 9.Collie Dub 10.Dub Down Rome
This is the companion dub set to the above record, mixed by Prince Jammy.

Dance Hall Style(1982, Wackie's)
1.Money Money 2.Cuss Cuss 3.Eating Mess 4.Stop The Fuss 5.Spying Glass 6.Lets Live In Love
The album received an "Essential"-rating in the Rough Guide. This review on the album is taken from the book The Rough Guide To Reggae, which is written by Steve Barrow and Peter Dalton:
The Wackie's approach proved particularly suited to Horace Andy's individual vocal style. Given that he played a major role in the building of the rhythms - playing bass, and both rhythm and lead guitar - it is perhaps not too surprising that his fragile but moving voice has few better contexts in which to express itself. Even the re-recordings of old favourites - his own "Money money" and "Lonely Woman", as well as Lloyd Robinson's "Cuss Cuss" - manage to sound inspired, and the fresh material is their equal.

Life is for Living(1995, Ariwa) - his first collaboration with Mad Professor
1.Life Is For Living 2.What A Day 3.Must Be Jah 4.Nah Dis You 5.Never Deceive You 6.Rebel 7.Do Your Work 8.Armageddon 9.Zion I 10.Dem A Fraud 11.Dub Is Bad

Mr.Bassie(1998, Heartbeat)
1.Fever 2.Mr.Bassie 3.Mother And Child Reunion 4.Conscious Dreadlocks 5.Oh Lord, Why Lord 6.Child Of The Ghetto 7.Ain't No Sunshine 8.New Broom 9.Come Into My Life 10.I May Never See My Baby 11.See A Man's Face 12.Slack Tidy 13.Just Don't Want To Be Lonely 14.Funny Man
This set is another collection of Studio One material. It brings together some of the obvious classic hits like "Fever ", "Mr. Bassie " and "New Broom ", two previously unreleased tracks( " Funny Man ", "Come Into My Life ") and the rare "Slack Tidy " on the classic "Throw Me Corn "- rhythm.

Skylarking(1997, Melankolik/Caroline)
1.Spying Glass 2.Natty Dread A Weh She Want 3.Rock To Sleep 4.One Love(w/ Massive Attack) 5.Don't Let Problems Get You Down 6.Fever 7.Children Of Israel 8.Money Money 9.Girl I Love You 10.Elementary 11.Every Tongue Shall Tell 12.Skylarking 13.Do You Love My Music 14.Spying Glass (w/ Massive Attack)

Living In The Flood(1999, Melankolic/Virgin)
1.After All 2.Smiling Face 3.Juggling 4.My Lord 5.Seven Seals 6.Johnny Too Bad 7.Doldrums 8.Right Time 9.True Love 10.Living In The Flood 11.Girl Of My Dreams 12.Some People 13.Don't Blame The Children

Feel Good All Over: Anthology 1970-1976 (2002, Trojan)
1. I May Never See My Baby (Anymore) 2. I Feel Good All Over 3. Lonely Woman 4. Thank You Lord 5. You Are My Angel 6. Gonna Keep on Trying (Until I Win Your Love) 7. Ain't No Sunshine 8. Can I Change My Mind
9. Don't Break Your Promise 10. Dream Lover 11. John Saw Them Coming 12. Riding for a Fall 13. Rain from the Skies 14. Where Did Love Go (Illiteracy) 15. (Woman) Don't Try to Use Me 16. Tag Along 17. Let the Teardrops Fall 18. Today Youth (AKA Youth of Today) 19. Love Ja Ja Children 20. Don't Think About Me
21.Satan Side (AKA Peter & Judas) 22. God Is Displeased 23. I Don't Want to Be Outside 24. Get Wise
25. Zion Gate 26. Letter to Mummy and Daddy 27. Better Collie 28. Better Collie Version 29. No Man Is an Island 30. (We Got To) Forward Home 31. Nice and Easy 32. Nice and Easy Dub 33. Serious Thing 34. Something on My Mind 35. Just Say Who (AKA Who Baby) 36. Sky Larking 37. Man to Man 38. Love of a Woman 39. Bless You 40. Money, Money (AKA the Root of All Evil) 41. My Guiding Star 42. True Love Shines Bright 43. Materialist 44. Poor Man Style 45. Psalm 68 46. Dub 68

I will write some personal reviews some other time.

2004-03-08T23:22:00.000-05:00

Wow, I have not written anything for quite some time, not at all this month of March. Last week I was very busy and then I spend the weekend in Chicago visiting some old friends. And I did not come home empty handed either, I borrowed my friends DVD player for a while. This means that I can finally watch all the nice movies I got lately.

Tonight is movie night and I will share some thoughts about them with you. The movies are The Unlimited Destruction, a documentary about Lee Perry; and Countryman, a sort of Jamaican action movie from 1982 with the ultimate Rasta Voodoo Rambo in it. Sounds implausible? Well you’re right, but this comparison still makes some sense as you will see should you ever watch the movie…

Lee ‘Scratch’ Perry – The Unlimited Destruction

The Unlimited Destruction is a relatively recent (1990) documentary about Lee Perry. Unfortunately there are no subtitles, or I am just too stupid to find them. As you might imagine Perry is not easy to understand in an interview. He’s a very fun man, though. Whenever you can’t quite understand what he is saying it is still a lot of fun to see him talk.

The live notes (only slightly edited and heavily spell checked…)
It shows Perry at his home in Zurich, Switzerland. I can only imagine seeing him walking around downtown! Planting ganja plants in his garden! That’s why he chose Switzerland, I guess. If you have ever seen a picture of the inside of the Black Ark studio, be assured his taste of decoration has not changed in the last 20 years. Man, he does not like talking about Bob and the Wailers. People must annoy him with those sorts of questions a lot. He keeps drinking Champagne throughout the interview. His girlfriend is drinking it with ice-cubes.
Well, now I am seeing him walking around downtown Switzerland and people seem to be more curious about the camera than Scratch. No, just kidding. I definitely like the music those guys choose, I think there is a tack overview on the disc. Gotta check it out at the end of the movie.
Trippy, Scratch builds himself some new costumes outdoors and rambles about the moon while rolling another spliff. I am not Jamaican, I am African. I am an African Shaman. I have invisible wings here. (lifts arms). Then, a little later, he just freestyles for a minute. That man can chat!
He has mirrors everywhere, especially in his garden and on his body. He really likes the mirrors, and he likes to play with them.
On the car ride to the embassy he makes fun of ‘Nothing compares’ by Shinhead O’Conner. It’s not a good song; he has every right to do so. Why do they go to the embassy? Do I find out? No.
Then the movie is already over, just under 48 minutes over all. The video is a very low key, amateurish quality recording. Nevertheless, it’s worth seeing for the true Perry fan.

Here are some of my favorite quotes from the interviews:
I take over NY City, I take over the Statue of Liberty. With my fucking bullshit (turns and shows his ass).
I take over Germany, I take over the airline. I take over Lufthansa… with Ganja,
(Why do you like children so much?) Cause I am from the children’s world. And I am defending the children’s world.
Sex is Dub.
Music can do anything, there is nothing music can’t do. – Lee Perry

“As a producer, there is none in the world…
If you put him against producers like Quincy Jones and those guys he make them look like rubbish.
Seriously!
I have nough respect for Quincy Jones […] but it’s no comparison, cause Mr. Perry he can produce a very good Soul record, and he produce the best in Reggae. I don’t think Quincy Jones can produce a good Reggae record.” - Dr. Alimantado

The track list is just exactly that, a track list. No songs to listen to or additional information. The tracks correspond to the Lost Treasures of the Ark Box. A good collection but I don’t have it here so I will have to postpone writing about it.

Countryman

I am too lazy to summarize the plot myself, but here is the plot outline from palmpictures:
Co-written and directed by Dickie Jobson, Countryman was the highest-grossing Jamaican film ever when it was released in 1982. Countryman is the story of a fisherman, whose solitary existence is shattered when an airplane crashes into a nearby swamp. By rescuing two young Americans from the wreckage, the fisherman, Countryman, becomes an unwitting player in a political plot devised by the power-hungry Colonel Sinclair. The couple and Countryman, branded by Sinclair as enemy agents, are forced to flee into the Jamaican wilderness. The peaceful Rastafarian hero shows the Americans his knowledge of the land and sea.

I also found this comment on the net:
If you're into Rastafarianism, Reggae (5-star soundtrack, Bob Marley, etc.), and/or seek to explore the cultural dichotomy of rural Jamaican life juxtaposed against the oppression of the city and the government, 'Countryman' is a buzz. In vague brief, it's the story of two American plane crash victims who are rescued and then further aided by a rasta fisherman while they are being hunted by desparate Jamaican authorities for bogus political reasons. There is a mystical element that will bring you great satisfaction if you tend to favor underdogs in struggles against repression and brutality. For those who have had the experience of the ‘spleef’, be prepared to smile and nod knowingly during the "dinner" scene.

In the end, Countrymen is just a cheesy 80s ‘action’ movie, but it has a Jamaican flair to it that makes it very refreshing and great to watch. It can not impress with extravagant special effects but it uses the means it has very effectively, especially considering none of them are actors. A scene where a rather old man in a prison cell says “But I don’t think they beat me any more. Them finished with me now. (What did you tell them?) Nothing Jah, for I know not of that man, and they have seen the light of that truth” can be just as effective as a rough action scene.

There is also a making off on the DVD which is really interesting. Interviews with the director, the ‘actors’ as well as Chris Blackwell, who picked the soundtrack. Except for Hiram Keller, who plays the guy crashing the plane and causing all the trouble everybody is either an amateur actor, or like the majority of characters, has never acted before or since. For those interested here is some information on Hirams career. Nothing too exciting i guess.

Also in case you are curious about the track list of the soundtrack:

1. Natural Mystic - Bob Marley
2. Rastaman Chant - Bob Marley
3. Theme from Countryman - Wally Badarou
4. Rat Race - Bob Marley
5. Jah Live - Bob Marley
6. Ramble - Rico
7. Rebel Music (3 O'Clock Roadblock) - Bob Marley
8. Sound System - Steel Pulse
9. Mosman Skank - Aswad
10. Small Axe - Bob Marley
11. Sitting and Watching - Dennis Brown
12. Bam Bam
13. Ooh! Aah! - Fabulous 5
14. Wisdom - Jah Lion
15. Carry Us Beyond
16. Dreadlocks in Moonlight - Lee "Scratch" Perry
17. Time Will Tell - Bob Marley
18. Theme from Countryman - Rebop Kwaku Baah
19. Pass It On - Bob Marley
20. Guidance - Wally Badarou
21. Obeah Man Dub - Wally Badarou
22. Theme from Countryman - Wally Badarou

That's it for movies.

2004-02-29T17:36:00.000-05:00

I am listening to a Trojan compilation called Haul and Pull Up Selecta, two CDs full of early Dancehall stuff from 1979-82. Most of the songs are 12" versions, i.e. extended mixes. Here is the Track List:

DISC 1:
You're No Good (12" version) - Ken Boothe & Prince Jammy
Kingston 12 Tuggy (12" Channel One mix) - The Morwells
Jammin' For Survival (12" version) - The Morwells & Prince Jammy
A Yah We Deh - Barrington Levy
Bad Boys - Tristan Palma
Good Dub - Scientist & The Soul Syndicate
Hunter Man - Barrington Levy
Sensimillia - Barrington Levy
Rocking Of The 5,000 (12" version) - Badoo & Toyan
Spliff Tail - Tristan Palma
Spliff Dub - Black Solidarity All Stars
Mr.C.I.D (12" version) - Barrington Levy & Jah Thomas
Shaolin Temple (12" version) - Barrington Levy & Jah Thomas

DISC 2:
Late Night Blues (12" version) - Don Carlos
They Can't Stop Us Now - The Viceroys
Love Is The Key - The Viceroys
Seperation - (12" version) - Barry Brown & Scientist
Cool Pon Your Corner (12" version inc uncredited DJ) - Barry Brown
How Can A Man Be Happy (12" version) - Tristan Palma
My Mission Is Impossible (1981 cut) - The Viceroys
Pop No Style (12" version) - Linval Thompson & Scientist
Living As A Brother - Barry Brown
Caring For My Sister - Scientist & The Roots Radics

You're no good is a fat track! I am more used to Ken Boothe's Rocksteady recordings, but I really like this one. Almost sounds more like roots to me, it has the Dancehall beat, though. Not too surprising considering the period these recordings were made in, so this early blend from Roots to Dancehall can be heard on most of the songs on this album. A yah we deh by Barrington Levy is also a very solid tune. Actually all of his tunes on this collection are great. The second half of Rocking of the 5000 is a great DJ version of the first half and the transition is especially sweet. The DJ version is way better than the beginning, too. They can't stop is now by the Viceroys is a great song, produced by Linval Thopmson. The very same is singing on Pop no style, which is dubbed by Scientist. Great 12" version of this one.

2004-02-27T22:43:00.000-05:00

Another artist to notice is Prince Lincoln & the Royal Rasses,

unfortunately under many people's radar, this singer has recorded some of the nicest roots music in the late 1970s. With his sweet falsetto voice he reminds me a little bit of Junior Murvin, even though that comparison does not quite hold.

Prince Lincoln started his career as Tartans in the 60s with local singers Devon Russel and Cedric Myton, following the disbandment of this pair's groups the Bell Stars. In the early 70s, the group cut several immaculate tracks, "Awake The Town", "It's Alright", "Coming On Strong" for Ken Lack's Caltone label featuring Lincoln as lead vocalist. However, following a quarrel between Devon and Lincoln, the group split and went their separate ways.

He then disappeared from view for several years, but he went to the Studio One where he made three singles "Live Up To Your Name", "True Experience"and "Daughters Of Zion". Although at the time of issue and with Studio One in the doldrums as far as the general reggae buying publish were concerned, these were mostly overlooked. Soon Prince Lincoln left the Studio One to establish his one label, God Sent, and released three more singles "Love The Way It ShouldBe", "kingston 11", "Old Time Friend" as the Royal Rasses which provided by an assortment of back singers including Cedric Mayton (Congos fame), Keith Peterkin and Jennifer Lara. Those were big hit both in Jamaica and UK, and attracted the attention of Ballistic records and signed them and heavily promoted their debut album "Humanity".

The group were poised on the brink of international stardom and carefully crafted, thoughtful songs and soaring vocals were exactly right for the time. Sadly, it was went all wrong. Altogether the Royal Rasses were making crossover music, their follow-up album, "Experience" failed to scale the heights that "Humanity" had reached and was not particularly popular with either the reggae audience or the pop audience at which they were aimed. I personally find both albums very appealing. They have both recently been re-issued on CD with respective Dub albums as bonus discs. What I find especially noteworthy is the band used in the recordings for Experience/Harder Na Rass. It not only features my favorite drummer, Leroy 'Horsemouth' Wallace (I will have to write about the movie Rockers one of these days!) and a classic horn section including Tommy McCook and Bobi Ellis but also Ernest Ranglin on lead guitar! A prolific Jazz guitarist, aledgetly Bob Marley's teacher in this instrument, who also recorded a fantastic Jazz set with pianist Monty Alexander at the German MPS studios in the late 1960s. Amazing stuff.

Track List - Humanity

CD 1:
1. San Salvador [Disco Style]
2. They Know Not Jah
3. Old Time Friends [Disco Style]
4. Unconventional People
5. Humanity (Love The Way It Should Be)
6. Mr Kissinger
7. Kingston 11

CD 2:
1. Moonlight City
2. Baktu
3. Waterhouse
4. Marverly
5. Riverton City
6. Cockburn Pen
7. Bell Rock
8. Whitewing Walk
9. Tower Hill
10. Central Village

Track List - True Experience

CD 1: (Experience)
1. Nobody Here But Me
2. Blessed Are the Meek
3. Slave Driver
4. Jah Love
5. Babylon Is Falling
6. True Experience
7. For Once in My Life
8. Walk in Jah Light
9. Jungle Fever
10. Thanksgiving (While Your Living)

CD 2: (Harder-Na-Rass)
1. Interstellar Over Dub
2. Second Sight
3. Nebular Dub
4. Time Wharp
5. Universally Dubbed
6. Terrestial Dub
7. Gravitational Echoes
8. Dub Vortex
9. Regenerated Dub
10. Cosmic Silence

More detailed reviews of these albums will follow. I am excited about them!

2004-02-27T02:19:00.000-05:00

Well, I have not written anything in a while,

lots of work, exams and such. But now a part is over, I am in the mood and the music is sweet! I have already mentioned how excited I am about the Skatalites coming to the Summerjam. The next band I want to mention is the Abyssinians. So far I have only been able to seem them once and I can't wait to see them again. Their debut album Satta Masagana (1976) is one of the top 10 Reggae albums of all time, trust me I am not the only one to think so! The title track is one of the most memorable and most often covered tunes of all times . But the album is just excellent throughout, it's hard to highlight any specific songs.

Tracklist

1. Declaration of Rights
2. The Good Lord
3. Forward Unto Zion
4. Know Jah Today
5. Abendigo
6. Y Mas Gan
7. Black Man's Strain
8. Satta Massagana
9. I And I
10. African Race
11. Leggo Beast
12. Peculiar Number
13. Reason Time
14. There Is No End

To quote from Reggae Reviews "Easily one of the best reggae albums of all time, this set is so good, it's scary. Some beginning listeners may not be able to get into it fully because it's pretty heavy roots, but once you do, it's a wonderful thing. The song "Satta Massagana" is the centerpiece of this collection of the group's best work, the tune being a modern-day hymn whose appeal transcends the religion. As the liner notes state, if "the song is a hymn, then the album is a hymnal full of gorgeous, pious material." Don't let the thought of dry church music creep into your mind, though. These tracks are dynamic and emotion-packed with driving, funky bass lines and superior harmonies." I think that describes it pretty well. There is really not one song that stands out. One hit after another. Some are more recognizable, i.e. sampled more often, but all are equally great! I can't even tell you how excited I am to see them live again this summer. Big Up!

2004-02-23T16:22:00.000-05:00

Thanks to rastalion for sending some more links (2 festivals - Rototom in the Netherlands and Paleo in Switzerland as well as one internet radio at www.radio-rasta.de). I meet all sorts of nice people on the Summerjam message boards, you should really check out the homepage sometime.

2004-02-22T19:20:00.000-05:00

I've been talking about the Summerjam in Cologne a bunch already so you might have guessed that I am from Germany. So now I think it is time to introduce you to my favorite German reggae band, the Court Jesters Crew.

I was a big Ska fan before i got more into Reggae (and much more) and Court Jesters Crew was a local band that we saw opening for a Swiss band we had heard of before (ca. 1995). Well, the Swiss band sucked but CJC became a band we followed over the years until they split up last summer. I have seen them about 10 times live and collected their music since buying their demo tape at that first show. Since then, they have released three albums: Umbe (1997), Too high for low (2000) and Babylon Raus (2002). Well, all three albums are great, the band moved from a more fun ska style more towards Rocksteady and Reggae, added an additional vocalist and got more and more mature. Especially the last album has a lot of very fain vocal harmonies; at the same time there are always songs with more Ska influences and some dancehall/ragga muffin elemtns. In the end they played such a tight sound that I feel they really can compare to some of the original recordings done on Jamaica. They also backed Laurel Aitkens last recording that was releeased on Grover and toured with him throughout Europe. The band members are:

Sensi Simon - Trumpet
Rockshah - Vocals, Percussion
P. Samuel - Organ, Piano
Tango La Zar (fka T.W.) - Schlagzeug
Kaeptn - Guitar, Vocals
Spruddy One - Vovals
Jo von H - Sax
Bob Ycar (fka Shank) - Bass
Flo "The King" Wagner - Trombone

Some of my favorite songs are:

Die!, Mobile home - on Umbe
Shake a Leg, Elevator Offbeat, Good 'n' morgan horn, Danger - on Too high for low
Long time now, We let the good times roll, Why you say, Divided we fall- on Babylon raus

It's also worth checking out there new projects Soulfood International (a sort of Reggae-HipHop fusion with full backing band) and Studion Nine Band (Instrumental ska a la First-Wave Skatalites sound).

2004-02-21T22:10:00.000-05:00

Ziggy Marley is coming to town,
I am happy. So far I have only seen him live once, and that was at the Summerjam on a big open air stage with 12,000 people. This time it will be a club. Awesome!

Well I will write about it, but for know let's talk Lee Perry. I just put all of the tracks I have on my hard drive on shuffle. It's almost 38 hours, let's see which tracks I will draw for you, but I will preselect and not write about all of them.

Words of my Mouth - by the Gatherers. I have it on the double CD Wonderman Years. Often used rhythm in (I believe) the original version with the sweet harmonies by the Gatherers and what I think is Augustus Pablo on harmonica. A well known version is Kuchy Skank on Rhythm Shower

Economic Crisis - by Jack Lord a track on Excalibur Man. It's also on Magaton Dub 2. Roots Reggae at its finest. It has a very laid back rhythm, a little Caribbean Guitar during the refrain and just very cool singing voice by Jack Lord. Actually the refrain kind of reminds me of UB40, in a good way. I'll write about that some other times, I generally don't like their music that much, but their first album was great. I don't think there is another song by Jack Lord, I should say there is no other song under this pseudonym as his real name is Jackie Bernard who also recorded with the Kingstonians.

Kiss me Neck - by Perry himself with the Upsetters on Jungle Lion. Crazy rocking rhythm with just a few chants of 'Skaba' in the background. Mesmerizing.

Police and Thieves - Junior Murvin. Alright, this is a BIG one. Covered by the Clash, featured on numerous Soundtracks. I have it on the full album by Murvin under the same title, it is also on the Arkology Box Set, where the whole second CD is almost exclusively this rhythm. Almost. Reggae History, no question. Look at that, it went straight to another Murvin song, Roots Train, well I am listening to Version train now. You see how this goes.

Civilization - by the Classics on Shock of Mighty. I love the lyrics.
We need more civilization and better organization to fight victimization.
We don't share with one another, we fight against each other, in this world.

I've never had it so good - by Bunny Rugs on To love Somebody. He later became the lead singer of Third World. This recording is from 1974.

Bath Room Skank - Perry with the Upsetters, on Wonderman Years among others. Crack Perry lyrics: Grab a towel and scrub your bowel. Scrub your foot, scrub your face. Well he goes on like that.

Cloak and dagger - by the Upsetters on the same-titled album. Great stuff from 1973, still instrumental reggae or already Dub? Perry is exploring the boundaries. No coincidence that one of the versions her recorded a little later is called Dub Organizer (this one is on Blackboard Jungle Dub).

Dragon Slayer - Upsetter tune on Return of Wax. A 1975 instrumental album. Great dub tune: heavy bass, edgy guitar. This is maybe my favorite period in Perry's work right now: recorded at the same time as Musical Bones (with Vin Gordon on trombone) and Kung Fu Meets The Dragon. All of these releases were extremely rare (they were limited to 300 copies originally). Gotta be thankfully that people reissue this stuff!

Well, that was fun. Still, I will do albums again next time. Lee Perry is great, check him out.

2004-02-19T01:11:00.003-05:00

Allright Boys and Girls

Here is the first album preview, one of the CDs I got from 8 for 8: Augustus Pablo - Authentic Golden Melodies.
This is a very hard to find collection of some classic Pablo tunes. For those of you not familiar with Augustus Pablo, he is one of my favorite musicians of all time and also a great producer - the inventer (well maybe that goes a little to far) of the ROCKERS sound of the mid to late 70s. What he's famous for is introducing the melodica to Reggae music, and he can play some seet ass melodies on this rather obscure little instrument. As a producer, he discovered such talents as Jacob Miller (later of Inner Circle fame), Hugh Mundlell and Tetrack. Jacob Miller of course died way too young and Inner Circle never were the same, well basically all of their stuff after Jacob's death right out SUCKED.

The trac list for this album is:

1. Meditation Dub
2. Tippa Tone Blues
3. East Man Sounds
4. New Lots Express
5. House Is Not A Home
6. Chain Gang Dub
7. Viva Tirado
8. Islington Rock
9. Satta-3
10. Jungle Cry

A number of these tunes were recorded at the famous Black Ark studio by Lee Perry, all of them are great mid to late 70s instrumental dub tunes with Pablo's sweet harmonica work. Meditation Dub is a version of Lee Perry's "Words" Rhythm. My personal favorite (so far) is New Lots Express; a fantastic bass line, great rhythm set by the organ and drums and, well, I allready feel stupid for mentioning this again but he plays some amzing stuff on the harmonica. What a pleasure. Viva Tirado also features a crazy rhythm. I can't remember where it is taken from, but in this version it has almost a disco feel to it, except that no disco music could ever groove this much. Satta - 3 is, as the more experienced reggae fans might suspect, a version of Satta Massagana by the Abyssinians. This is one of the alltime classics, probably one of the most recongnizable melodies ever recorded. As much as I like this album, the original song by the Abyssinians is still far better.

For some more information on Augustus Pablo please visit this biography.

That's it for today, I need to get some sleep.

2004-02-18T20:41:00.001-05:00

More good news came my way today, and I forgot to let everybody know:
The Skatalites (!!!!!) will bless us with a performance at the summarizing festival in Cologne, Germany this coming July (see link to the festival to your right...). I will be writing much more (trust me, probably too much more) about the Summerjam, as I attended it every year for half a decade and look at it as being the best weekend in the year! Basically it is a three day openair festival dedicated to Reggae music that regularly attract over 25,000 followers that celebrate the music and lifestyle they love in a great atmosphere.
And the Skatalites, well they are an integral part of the history of Reggae. While it is hard to put an exact date to the birth of Reggae, or it's ancestors Ska and Rocksteady, the year of Jamaica's independence, 1962, is a good estimate (man I have a lot to talk about. I mean, there are several informative and extensive books on this and I try to put it into one post????). This is when the Jamaican recording industry really got going, and the Skatalites where the house band of the most popular and successfully studio of the time, Sir Coxsone Dodd's Studio One. The original Skatalites included some of the best musical talent that Jamaica has ever produced, among them hornsmen Tommy McCook, Roland Alphonso and Don Drummond, Keyboard-Legend Jackie Mittoo and the Rhythm Section of Lloyd Brevett (bass) and Llyod Knibb (drums).

Unfortunately, many of the original members have since passed away, but the Skatalites continue to perform at the highest level and that after more than 40 years in the music business!

Don't ever, I repeat, DON'T EVER miss a Skatalites show!!!!!!!!!!!!!!!!!!!!!!!!

nough respect.

2004-02-18T20:41:00.000-05:00

I have been thinking about how to get started here for two days now, and the truth is I don't know. So therefore i have decided to just jump right into it.

Yesterday was a good day. I got an order of cds, and that always makes me happy. I ordered from a place called 8 for 8, an online store devoted entirely to the one and only Mr. Lee 'Scratch' Perry. You will see me writing about him a lot more in future posts, but for now all I want to say is that he is one of the most influencial people of the Jamaican music scene, as a producer, singer, song writer and innovator. He discovered many artists, and jump-started the careers of numerous others, most notably the one Bob Marley in the late 60s early 70s before he was discovered by Island ounder Chris Blackwell. For an overvier of Perry's tremendous work see Smokeyroom.

Anyhow, 8 for 8 has some very hard to find albums and singles as well as other resources. Over time, hopefully I will have time to write about all of them, but so far I have only browsed through them very quickly. Nevertheless, Perry is a great example of how in Reggae it usually pays to scratch beneath the surface and look for the more obscure recordings.

2004-02-16T22:38:00.000-05:00

Welcome everybody,

this is my first blog, so bear with me. I want to introduce you to my favourite artists and albums, write about recent concerts and hopefully will be inspired to discover new music through your comments and in turn inspire you to check out some of the most amazing tunes ever to be recorded. So please email me with any questions, suggestions, etc.

peace,
felix